STUART ROGERS STUDIO
Acting Classes

"I feel that listening is a key to good acting, and Stuart guides his actors to a striking level of connection, listening, and responding."

Academy Award Winner, I, Tonya, West Wing

"Stuart is a passionate teacher, he gives actors the tools to uncover depth in their work that not even they knew existed."

Academy Award winner, Best supporting actress - The Help, Insurgent

"Stuart's passion for the art of acting is viral. Whenever we work together, I'm always discovering new depths to myself and the characters I play."

Will And Grace, Pieces Of April, The Bucket List, Etc.

"As a young actor in Los Angeles, Stuart’s guidance helped me to discover a newfound sense of confidence that I had been searching for. Whenever I work with Stuart I find an underlying truth to my own emotions that serves as the anchor to any character I play."

Vampire Diaries, Tell Me A Story

"Stuart understands talent and can always get more of it out of a professional actor than they remember they have."

Seven Broadway Shows Including A Tony Award Winner For Best Featured Actress In A Musical For: The Producers

"Stuart has an extraordinary keen eye. I've watched him help actors grow significantly in their work very quickly."

"I have known Stuart Rogers for over twenty years, and we have acted together on the stages of Los Angeles. From Shakespeare to Neil Simon. I can honestly say these are some of my greatest moments in the theatre. He is a consummate actor. Now he has the knowledge of the theatre and developed his own approach to rescuing actors that are drowning in a sea of misconceptions.
As a teacher he is patient, caring and insightful to an actor's artistic needs. He knows how to guide an actor to capture his power and use it in performance. He can help you find the truth of a character and fortify that interpretation. Through years of teaching, he has developed an approach that is accessible for the actor and at the same time, he re-enforces the actor's ability to chose and interpret wisely. Stanislavski is dead. Strasberg is dead. Meisner is dead. Their advocates are teaching a watered-down version of the old masters.